30 Jan – 22 Mar 2025
The Hungarian art historian Laszlo Glozer referred to the second half of the 20th century as ‘Stepping out of the Picture’. After the frame of the picture as a limitation was overcome, the boundaries between painting, installation, and sculpture were dissolved by extending painting into space. The group exhibition Gravity’s Rainbow presents twelve current artistic[...]
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The first institutional solo exhibition of the Lebanese-German artist Said Baalbaki shows a cross-section of his artistic work since he moved to Berlin-Moabit twenty years ago. Baalbaki combines painting and conceptual art with a focus on the exploration of mechanisms of establishing truths and the construction of history. With the title Gestern wie heute (As
Catherine Lorent, visual artist, musician and art historian (PhD), creates complex Gesamtkunstwerks of voice, painting, drawing, sculpture, performance and popular and classical music in theatrical settings – hybrid installations that play with baroque references and dissolve boundaries of art genres. Different format drawings of strange chimaeras and peculiar coats of arms are mounted on the
The title of the exhibition initiated by the artist Bruno Kuhlmann, ‘Scheitere an einem anderen Tag’ (Fail Another Day), is a laconic invitation to postpone the implementation of goals and the execution of tasks and the possible setbacks and successes that accompany them. It refers to the roles of the winner and the loser, the
THIS IS NOT FUNNY is the title of an artwork by Oliver Kossack. Created in the process of painting, here the picture speaks to the artist, as well as the painter to the picture’s surface. In this linguistic projection onto the canvas, a contradictory moment of concurrent humor and seriousness becomes apparent. The image is
You can watch the livestream of the opening
As a prelude to the Moabit art festival Ortstermin 20, the exhibition bis hierher und nicht weiter . this far and no further calls for a critical engagement with developments in contemporary society, politics, culture, and ecology. The exhibition features work by artists and performers who explore physical and geopolitical borders, investigate the dynamics of
From 12 May, the gallery will be open again at the usual times. In order to give all those interested the opportunity to still view the exhibition, we have extended it until 4 Jul 2020. ——— In the series Grenzgängerinnen, Galerie Nord presents female artists who defy and expand borders and genres. The third exhibition
In Text Bild Exzess, two drawing-based spatial installations and a data-based interactive installation reflect on the multi-layered relationships between language, writing, text and other sign-like codes in a society that is increasingly replacing written texts with images. They examine and deconstruct the specific connections that texts and signs enter into and maintain with each other
With this comprehensive solo exhibition, Galerie Nord offers artist Nadja Schöllhammer a tripartite transformation space in which she will reconfigure the elements, modules and groups of works in her fascinating, exuberant œuvre. By means of her self-developed methods of extended drawing, she dissolves the relationship between drawing, painting, space and narration. In doing so, she
The exhibition project Pirating Presence presents seven artistic positions on complex questions of image appropriation and transformation. The presentation is part of an exhibition series developed by Margret Eicher, Adi Hoesle, Isabel Kerkermeier, Stefan Römer, Heidi Sill, Susanne Wehr and Toni Wirthmüller and realised from varying perspectives in six different art associations and museums in
The exhibition “City as Ornament” brings together nine positions of contemporary art with a broad media spectrum that explore the city as a phenomenon of social interaction. They negotiate the specific patterns and interconnections of historical, cultural, political and social events and discourses in urban space. Special attention is paid to the possibilities of individual
With Elisabeth Masé and Dietrich Walther, two artistic positions are represented in the exhibition “dark days in paradise” whose enigmatic and haunting works formulate fundamental questions from the most personal and whose visual languages find forms for the subcutaneous. They address an unease that shakes the often carefully maintained constructions of our ideas of happiness,
The exhibition dark, liquid brings together artistic positions and scientific exhibits to question them about their knowledge of an object that is as multi-layered as it is impermanent, that breaks scales and transcends categories, and yet seems to be as highly familiar as it is capable of enduring fascination: the sea. The exhibition is interested
“Yours Faithfully” presents a selection of works by 80 artists in specially developed spatial installations by Karen Scheper and Pfelder. All of them have special ties to Galerie Nord | Kunstverein Tiergarten and its long-time artistic director Ralf F. Hartmann. Over the past 13 years, Galerie Nord has made a decisive contribution to placing Moabit
Protest, Part 1 Juried exhibition with Moabit artists at Galerie Nord | Kunstverein Tiergarten 30.6.-29.7.2017 with works by Monika Anselment, Maria Anwander/Ruben Aubrecht, Gleb Bas, Antonia Bisig, Birgit Borggrebe, Silvia Klara Breitwieser, Giuliana del Zanna, Barbara Duisberg, Albrecht Fersch, Andrea Golla, Stefan Klein, Burkhard Oelmann, Ariane Pauls, Tere Recarens/Özay Şahin, Silke Riechert, Salah Saouli, Silke
Since the early 1980s, Cologne-born Astrid Klein (*1951) has been one of Germany’s defining artistic personalities and has received numerous important awards for her innovative works. Significant for her extensive oeuvre, which has been presented in numerous national and international exhibitions, are large-format photo collages, paintings, sculptures and monumental installations. The focus is always on