12 Jun – 9 Aug 2025
			
												
											
										 Susanne Ring’s artistic practice encompasses figurative sculpture, painting and drawing. She combines elements from this diverse pool with furniture, fabrics, or materials to create expansive installations, depending on the local conditions. Her ceramic sculptures are like vessels that are filled with content contingent on context – enigmatic creatures made of fired clay that move boldly[...]
Susanne Ring’s artistic practice encompasses figurative sculpture, painting and drawing. She combines elements from this diverse pool with furniture, fabrics, or materials to create expansive installations, depending on the local conditions. Her ceramic sculptures are like vessels that are filled with content contingent on context – enigmatic creatures made of fired clay that move boldly[...]									
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 The Hungarian art historian Laszlo Glozer referred to the second half of the 20th century as ‘Stepping out of the Picture’. After the frame of the picture as a limitation was overcome, the boundaries between painting, installation, and sculpture were dissolved by extending painting into space. The group exhibition Gravity’s Rainbow presents twelve current artistic
The Hungarian art historian Laszlo Glozer referred to the second half of the 20th century as ‘Stepping out of the Picture’. After the frame of the picture as a limitation was overcome, the boundaries between painting, installation, and sculpture were dissolved by extending painting into space. The group exhibition Gravity’s Rainbow presents twelve current artistic The field of tension of the phenomenon of time unfolds between the urgency of the Now and the simultaneous knowledge of the ongoing cycle of repetition. The exhibition every now and again (meaning in German: “Jedes Jetzt und nochmal”) confronts these circular movements with punctual events. Time stands still or expands and thereby becomes graspable
The field of tension of the phenomenon of time unfolds between the urgency of the Now and the simultaneous knowledge of the ongoing cycle of repetition. The exhibition every now and again (meaning in German: “Jedes Jetzt und nochmal”) confronts these circular movements with punctual events. Time stands still or expands and thereby becomes graspable The gallery interiors are shrouded in darkness, the opening to the street taken away. The artificial light blocks out the natural, a re-orientation in the space is unavoidable. This specific spatial situation of the Galerie Nord is the starting point for an exhibition that deals with space and time. Using light as an ephemeral material,
The gallery interiors are shrouded in darkness, the opening to the street taken away. The artificial light blocks out the natural, a re-orientation in the space is unavoidable. This specific spatial situation of the Galerie Nord is the starting point for an exhibition that deals with space and time. Using light as an ephemeral material, As the second station in a series of exhibitions conceived by the Berlin artists Claudia Busching and Pomona Zipser in three municipal galleries, Galerie Nord | Kunstverein Tiergarten will be showing the exhibition “IN DEN RAUM ZEICHNEN – verdichten” from 20 May. The cooperation project with Galerie Parterre and Haus am Kleistpark is dedicated to
As the second station in a series of exhibitions conceived by the Berlin artists Claudia Busching and Pomona Zipser in three municipal galleries, Galerie Nord | Kunstverein Tiergarten will be showing the exhibition “IN DEN RAUM ZEICHNEN – verdichten” from 20 May. The cooperation project with Galerie Parterre and Haus am Kleistpark is dedicated to